Monologue Writing / Editing / Comedy / Live
Performance
- Monologues and Solo Performances: writing from one's
life and personal experiences
- Committing to a
single work over a period of years; remaining effective and interested after
300 performances
- The editing
process; facing the truth about one’s work and making choices that serve the
whole of the project; packing the tightest snowball: finding the courage and
willingness to delete some of your “best” material
- Controversial theatre; the fine line between
provocative/uncensored and exploitative/abusive; the responsibility of writers,
directors and performers to their audiences and to the world.
- Recognizing the authentic creative state; the
paradox of faking it and being real about faking it
- The transformational experience of live theatre:
exposing pain and truth-telling; the fine line between baring one's soul and
self-indulgence; giving 100% in a performance and knowing when one's personal
process has gotten in the driver's seat and the audience members have been
thrown in the trunk!
- The thrills and challenges of performing with no
fourth wall; how to use everything in
the room, including interruptions and disrespectful audience members
- Discovering and maintaining self-respect, integrity,
and dignity as a presenter of Live Art; honoring one’s service and gifts to the
world; is it true that the show must always go on? where do we draw that line?
- Using live performance and interactive theatre as a
means of self-study/world study
- Death to the Ego / Jumping off the Cliff: “dying” to the performance process and
opening to one's fullest presence¾on stage and off, finding
the courage and willingness to truly let go; moving past the need for approval
(on stage and off)
- Utilizing humor as a safe vehicle for expressing
pain, trauma, and emotionally-charged issues; creating safety on stage and in
the entire venue
- Bridge-building and forging peace: The intersection
of the Performing Arts and the Healing Arts
- The effect of one’s creative work on the world;
feeding dualistic thinking, paranoia, separatism, and hatred through the arts;
opening hearts and minds through the arts
- Zen and the Art of Live Performance: When does the
show actually begin? How long
after curtain call does the show officially end?
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